LindasPencils wrote: Wed Jan 17, 2024 8:37 am
I am enjoying this oil study, Pogs. Your technique of using grey mid-tone base is very traditional and works well.
Thank you Linda.
The greys are just simple to use, as simple as working with different grades of graphite pencils.
So I’m readily playing with it
Did you use acrylics for this? I like using a sepia acrylic base - haven't tried a gray as yet.
I’ve never been using acrylics (except when practicing airbrushing) because it’s just not the medium I’d like to paint using brushes…
Because it’s drying quickly it’s causing the airbrush needle getting clunky fast, so it requires frequent cleaning the nozzle etc…
Why I’ve stopped airbrushing?
Exactly because of that…
I realised that I’m more focused on frequent airbrush maintenance rather than on the painting itself…
Are you using a drying medium in your oils? Just asking because you are making rapid progress with no smearing of the hues. I find the drying times frustrating without the drying medium.
You’ve missed the first post Linda, where I’ve mentioned what I’m using


It’s Alkyd oils (Griffin).
They’re drying eagerly, so I can enjoy oils having this advantage that next day the painting is touch dry.
Last year I wanted to do *real* oils…
I was VERY after…
But my daily sessions were upsetting me, as the painting was still fresh, and my fresh strokes were disturbing the painting, sort of wet on wet effect…
I gave up on my second painting study If I’m right…
It was my wife with niece portrait that I got upset by frequent messing with the flesh tones I was struggling get right, as with every new session I was ruining the previous achievements and so on…
Then I’ve noticed sort of ridiculous dusty particles sticking to the wet painting surface…
At some point the above struggles overwhelmed me, and I gave it up then.
Most probably I won’t get back to *real* oils ever again

I’m not using any other medium, but Alkyd oils dear friend.
Thank you for your interest in here


Art.