Telling Your Story
Posted: Mon Oct 28, 2019 12:30 pm
While enjoying Laurene's "Red-tailed Hawks" post I was reminded that every drawing tells a story.
Surely it's the purpose of any drawing? It might be as simple as "I want you to see the beauty in this that I see" or it might be more complex.
Personally, I find the story-telling is what immerses me in a drawing. It has a purpose. And I have a desire to tell that story. This extends to "simple" head-studies too. I always know what the dog was thinking. Its mood. What it was doing, or is about to do. I'm drawing a frozen moment within that time span, but that moment has a history and a future. That, for me, brings the animal alive, and it's hopefully reflected in the result.
So, all my drawings are based around a story but this one is perhaps the most involved. It was commissioned by my New York dealer on behalf of their client. Prints were to be made available to the Scottish Deerhound Club of America, and various suggestions were made - "no dead animals" being one. Other suggestions were a loch, bagpipes, castles and kilts - all of which I chose to ignore
Putting together research and some knowledge of hunting and the breed, I came up with this:
"Scottish Deerhounds" by Mike Sibley
Every aspect of this study has its place. The bellowing stag is with its hinds, so it's the closed season for hunting. The huntsman is calling his loose dog to its leash. The small-game bag over his shoulder tells us his quarry is probably rabbits but certainly not deer. And (at the far end of the trees) I did manage to squeeze in a hint of loch
As an aside: The entire project from accepting the commission to print delivery in the US was accomplished in just five weeks! Some years later a box of unsold prints was discovered under a bed. Earlier this year I bought back the final 36 unsold copies (at 10 times the price I was paid to produce them!) and they are available here with close-up views of the drawing.
Surely it's the purpose of any drawing? It might be as simple as "I want you to see the beauty in this that I see" or it might be more complex.
Personally, I find the story-telling is what immerses me in a drawing. It has a purpose. And I have a desire to tell that story. This extends to "simple" head-studies too. I always know what the dog was thinking. Its mood. What it was doing, or is about to do. I'm drawing a frozen moment within that time span, but that moment has a history and a future. That, for me, brings the animal alive, and it's hopefully reflected in the result.
So, all my drawings are based around a story but this one is perhaps the most involved. It was commissioned by my New York dealer on behalf of their client. Prints were to be made available to the Scottish Deerhound Club of America, and various suggestions were made - "no dead animals" being one. Other suggestions were a loch, bagpipes, castles and kilts - all of which I chose to ignore
"Scottish Deerhounds" by Mike Sibley
Every aspect of this study has its place. The bellowing stag is with its hinds, so it's the closed season for hunting. The huntsman is calling his loose dog to its leash. The small-game bag over his shoulder tells us his quarry is probably rabbits but certainly not deer. And (at the far end of the trees) I did manage to squeeze in a hint of loch
As an aside: The entire project from accepting the commission to print delivery in the US was accomplished in just five weeks! Some years later a box of unsold prints was discovered under a bed. Earlier this year I bought back the final 36 unsold copies (at 10 times the price I was paid to produce them!) and they are available here with close-up views of the drawing.